Month: February 2019
“Remarkable Boy … I Think I’ll Eat Your Heart”: Revisiting Hannibal
This week, we return to the archive for a post by Molly Cavanaugh, where she discusses the non-traditional erotics of the relationship between Hannibal Lecter and Will Graham. In the same vein as Mark’s posts, which have considered representations of gay relationships in film and television, Molly’s post contemplates the homoerotic tension created between predator
No True Coming Out: Queer Life in “Please Like Me”
Unlike My Beautiful Launderette, whose narrative refused our identification with Omar and Johnny’s romantic life, the 2013 Australian TV show Please Like Me is structured almost solely around relationships. Queer love and intimacy are a complete spectacle, where most of the narrative (and much of the comedy) comes from Josh’s (Josh Thomas) sometimes awkward —and
Dirty Laundry in “My Beautiful Launderette”
What does queer media beyond mere representation look like? This week, Mark Muster begins to answer the question that he posed in last week’s post. In a 1986 New York Times interview regarding My Beautiful Launderette (1985), director Stephen Frears notes, “It’s a completely ironic film, isn’t it? We wanted people to have a wonderful
What is Wrong with “Gay TV”?
Recently, there has been an uptick in the amount of “gay-centric” media created by the mainstream film and television industry. Movies like Call Me by Your Name (2017), Moonlight (2016), Carol (2015), Bohemian Rhapsody (2018), etc. mark a notable shift in LGBT narratives to being not only more mainstream—more desired—but actively produced for recognition among