Referencing his mother’s passing in 1992, Nathaniel Mary Quinn’s “aim as an artist [was] to make a work that [was] so palpable and so dynamic and so incredibly felt that [his] Mom could literally walk off the surface of the canvas and back to life.”[1] The result was Untitled (Portrait of the Artist’s Mother) from 2000, which was exhibited at his high school “Senior Art Exhibition.” Now...
A Painfully Honest Portrayal of Beauty
Tracey Emin, Like A Cloud of Blood, 2022, acrylic on canvas, 59 7/8 x 71 5/8 in. (152 x 182cm) The difficulty in comprehending Tracey Emin’s Like A Cloud of Blood (2022) is the paradox of witnessing a disappearing figure coming into being. In Emin’s painting, an incomplete and empty body lies isolated in curled tension, presenting an image of discomfort, pain, and human frailty. Yet beauty is...
A Patriotic Reflection of a Broken Image
The nature of quilting implies a coming together of disparate elements to create a pleasing and cohesive whole. Rachel Clark’s quilt, These Colors Should Run, utilizes these formal qualities to reimagine the American flag, conveying an unsettling and paradoxical image of a nation in disrepair. Clarke is a Professor at Syracuse University’s School of Information Studies whose research focuses on...