Category: Watching
History’s Fiction Problem: “Selma” and the Value of Fictionalized History
In a recent piece for Salon, Andrew Burstein and Nancy Isenberg take aim at both Selma, the newly released film about the activism of Martin Luther King, Jr. Through Selma, they critique Hollywood more broadly for its lack of anything truly meaningful to say about history. In the process, they also dismiss seemingly all (or at least most) historical fiction. They suggest
Nasty, Brutish, but Definitely Not Short: Game of Thrones and the History of Power
It might seem counter-intuitive to talk about a fantasy television series as having anything meaningful to say about history. But Game of Thrones‘ self-conscious evocation of the medieval world, as well as the fact that so many of its storylines are drawn from historical events in our own world, suggests that it does indeed have something
Rude Wastes of Space: Race, Class, and the Othering of the British Hoodie
One of the more interesting parts of writing my dissertation so far has been investigating the phenomenon of the British hoodie. My dissertation focuses on the post-2000 British horror resurgence, and the hoodie horror cycle has been one of the more prolific cycles within the more general boom. Menhaj Huda’s 2006 film Kidulthood is often
Nightcrawler: Not the Satire You Think It Is
On its most basic level, Nightcrawler (Dan Gilroy, 2014) is a heavy-handed satire that indicts the “if it bleeds, it leads” mentality and the normalization of violent and gruesome images on television news. Since images of the Vietnam War made their way into people’s homes via television screens, there have been debates about how much
Feminism doesn’t (t)werk that way: “Booty Culture,” race, and pop feminism
As Pippa Middleton recently remarked, “What is it with this American booty culture? It seems to me to be a form of obsession.” Who doesn’t love the booty?** Whether we’re talking about Miley Cyrus’s twerking, Nicki Minaj’s “Anaconda,” Meghan Trainor’s “All About That Bass,” Jennifer Lopez and Iggy Azalea’s “Booty,” Kim Kardashian’s “break the internet”
Feeling Testy: Assessing our Assessments
Tests and assessment make people angry. Yes, this is a terrible film. No really — tests, and the entire idea of assessment, can produce positively splenetic displays. The comments section of Christopher B. Nelson’s recent essay critiquing assessment provides an apt example. As the federal government pushes to hold colleges responsible for providing students with
Regeneration, Rebranding, Republicans; or, Reince Priebus is not your boyfriend
In case you were camping over the last three days, the Republican Party took control of Congress on Tuesday night. To paraphrase an oft-heard line on the Capitol floor, I’m not a social scientist—so I’m not interested in the actual, complex causes of the victory. I am, however, interested in the rhetoric around the victory, particularly
Queering LGBT History: The Case of Sherlock Holmes Fanfic
This summer, I fell for BBC’s “Sherlock” hard1 — hard enough to drive me back to fanfic. Fanfic has grown up in the past decade: it now has activists, “aca-fans” (academic fans), and copyright lawyers, and a nonprofit defending artists’ rights to disseminate transformative works, including fiction. My casual intention to fill the wait till
Teaching Irony and The Office: A Reception Studies Approach
Last academic year, serving as a 2013-2014 HASTAC scholar, I began work on The Pedagogy Project (forthcoming). The HASTAC (Humanities, Arts, Sciences, Technology Alliance and Collaboratory) community asked fellow scholars to submit sample lesson plans or pedagogical strategies. I submitted a lesson that I use when I teach Twin Peaks, and I helped compile and
The House Wife and The Good Wife
In a compelling and rich analysis of serial melodrama, Jason Mittell offers up a reading of the series in his new book on complex television. He claims that the series “complicates its gendered appeals through innovative genre mixing and storytelling strategies” (¶ 41). By this, he means that the show offers up stereotypically masculine and