AuthorT.J. West III

“Isn’t That All in the Past?”: History and the Privilege of Cultural Amnesia

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As I’ve been stressing throughout this month’s series of posts, privilege works in a number of pernicious and insidious ways in our everyday lives. Much as we might collectively like to believe that it doesn’t exist, it is only by dragging it kicking and screaming into the piercing light of day and scholarly/critical inquiry that we can begin to undo the pernicious ways in which...

“Of Course You Know…”: Deconstructing the Privilege of Knowledge

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Some time ago, a colleague of mine was leading discussion in class, and he offhandedly remarked that, of course, we all knew that Aristotle had spoken of the same issue we were discussing in his Nichomachean Ethics. The way in which he made the utterance made it clear that, if we did not, in fact, know this reference, we were somehow lacking, that we had clearly missed out on some key part of...

“Thank You, Officer:” The Everyday Privilege of Whiteness

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A few weeks ago, a friend of mine asked me when I first became aware of my white privilege. Caught somewhat off-balance by the question, I answered that I would need to give it some thought in order to respond to this inquiry with the complexity and deliberation that it deserved. However, try as I might, I could not for the life of me think of a single, particular moment in which I became aware...

“Are You Gay?”: Public Space, the Closet, and the Exercise of Privilege

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For my month of posts for this blog, I want to talk about privilege and the way in which it operates in everyday interactions and spaces. We all hear people talk about privilege–and in particular about how it operates as part of and within systems of oppression–but rarely do we actually think about how it affects and manifests in our everyday lives. I intend these four posts to...

The Greatest Show on Earth!: The Historico-Biblical Epic, Excess, and the Sublime Historical Experience

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A few weeks ago, when I published my post on Game of Thrones and its theory of history, one of my colleagues asked me about the nature of excess–of violence, of sex, of things (clothes, sets, technologies)–that typically stand as one of the hallmarks of the epic genre. At what point, she asked, does excess simply overwhelm the viewer, force them into a state of suspension, of...

History’s Fiction Problem: “Selma” and the Value of Fictionalized History

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In a recent piece for Salon, Andrew Burstein and Nancy Isenberg take aim at both Selma, the newly released film about the activism of Martin Luther King, Jr. Through Selma, they critique Hollywood more broadly for its lack of anything truly meaningful to say about history.  In the process, they also dismiss seemingly all (or at least most) historical fiction. They suggest that there is a measure...

Nasty, Brutish, but Definitely Not Short: Game of Thrones and the History of Power

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It might seem counter-intuitive to talk about a fantasy television series as having anything meaningful to say about history. But Game of Thrones‘ self-conscious evocation of the medieval world, as well as the fact that so many of its storylines are drawn from historical events in our own world, suggests that it does indeed have something it wants to tell about history—about the ways in...

Who’s That Lady?: Women’s Historical Fiction and the Writing of Female Subjectivity

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If you type the search term “women’s historical fiction” into Amazon, you will (as of this writing) receive over 25,000 results, with authors writing women-centered fictions set in almost every conceivable historical period. I use the term “women’s historical fiction” deliberately, as this specific sub-genre pays particular attention to the experiences of women...

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