Tag: theory
Spatial Representations
[5-7 minute read] When going on vacation these days, we take our cameras (or phones) with us to commemorate the places we visited, and the adventures that we embarked on. Contemporary phones and photos offer a way to share our experiences with friends and loved ones in a manner that allows them to imagine they
‘Build That Wall!’: Studies in the 21st-Century Plague Zombie
[10 minute read] In this month’s posts for Metathesis, I have been looking at how the metaphorical deployment of epidemic disease operates, and how we might understand the metaphorical function of plague zombies in contemporary texts. Why is it that the figure of the plague zombie features so prominently in the twenty-first-century imagination? If the plague
Know Your Zombie: Understanding the Living Dead
[7 minute read] Last week I discussed the use of contagion and metaphor, and mentioned how zombies can serve as “vehicles” for the metaphor of contagious disease. This week I continue my discussion of zombies, but before diving in, I want to draw a distinction between the two major representations of zombies in popular culture: what
Messages of Power: Epidemic Disease and Metaphor
[10 minute read] Culture has been infected. From the largest spheres of government and media to the mundane exchanges of everyday living, a small but resilient particle of an idea has perforated the social fabric of our lives and buried deep in our collective imagination. This noxious notion exists unnoticed in many parts of society, a
Normalizing Difference: Redefining Asexuality
[5 minute read] The problem with asexuality, as I’ve discussed before, is that it is hard to talk about on its own terms — even in a grammatical sense. For example: If you’re homosexual, you can say, “I’m sexually attracted to people of my same gender.” If you’re pansexual, you can say, “I’m sexually attracted
How We Talk about Trauma: Gaslight and the Importance of Maintaining a Bi-focal Critical View
[7-10 minute read] Recently, my coursework on Hollywood Melodrama engaged me with reading portions of Helen Hanson’s book, Hollywood Heroines: Women in Film Noir and the Female Gothic Film.[1] This text represents an amazing work of scholarship, connecting well-researched critical feminist histories, studies in the formation of literary and filmic genres, and close-readings of the narrative
Scholarship and Affect: Merging Critical and Fan Identities
[7-10 minute read] Take an adventure with me through my affective and critical experiences with a few texts I encountered during my first year and a half of my Ph.D. program: ***** I am sitting in the theatre in the last showing of the night for Star Wars: Rogue One. I have just come from
The Erotics of Evil
Among the harmful tropes of Hollywood, the figure of the Sissy Villain is one tainting LGBT representation in film and television. Despite the improvements of LGBT rights outside of film, the image of men in women’s clothing is one that pervades the genre of horror in particular. Such figures at Buffalo Bill, Cillian Murphy’s John/Emma
The Queer Response to Trauma in Silence of the Lambs and Hannibal
The representation of queer figures in cinema is politically fraught, with the anxieties of difference manifesting in portrayals of queer figures. These anxieties are particularly keen in the horror genre where the other is demonized. This other represents the danger of the unknown: race, religion, sexual orientation, and gender presentation. Within horror, these characteristics of
A Ghost in the Machine: The Specter of Literature in EA’s Middle-Earth: The Shadow of Mordor
One of the most compelling aspects of studying literature is uncovering the ways society and popular media adapt, adopt, reboot, and reimagine classic literary texts and genres into “new” (and more marketable) media forms—for better or for worse. One of my favorite trans-media adaptations of the last few years has been Electronic Art’s 2014 videogame
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