Tag: visual culture
Utopia and Mapping the Imaginary
In something of a loose association with my previous post, I’ll be writing and thinking this week about another interesting intersection between images and text. In particular, I’ll be exploring both old and new attempts to map Thomas More’s seminal text Utopia. Written in 1516, More’s Utopia is a text which provides the first major
Touching an “Authentic” Swastika
[7 minute read] CW: Nazism, Neo-Nazism, Swastikas I’m currently writing this blog post from a hotel room in Durham, N.C. I’m here over Spring Break to do some archival research at the Rubenstein Rare Book and Manuscript Library. The Abraham Joshua Heschel Papers live here, and it is an overwhelming and expansive collection. The collection guide
Time and Authenticity in Visions and Images of Abraham Joshua Heschel
[7 minute read] “Can we have snack right now? When we get back to the classroom?” “We usually have snack at 10:00 or 10:30am. It’s only 9:30am now. Don’t you think you’ll want it later?” I ask one of my students doubtfully, walking beside him as we head towards the seventh-grade classroom at Temple Concord. We
Spatial Representations
[5-7 minute read] When going on vacation these days, we take our cameras (or phones) with us to commemorate the places we visited, and the adventures that we embarked on. Contemporary phones and photos offer a way to share our experiences with friends and loved ones in a manner that allows them to imagine they
‘Build That Wall!’: Studies in the 21st-Century Plague Zombie
[10 minute read] In this month’s posts for Metathesis, I have been looking at how the metaphorical deployment of epidemic disease operates, and how we might understand the metaphorical function of plague zombies in contemporary texts. Why is it that the figure of the plague zombie features so prominently in the twenty-first-century imagination? If the plague
Scholarship and Affect: Merging Critical and Fan Identities
[7-10 minute read] Take an adventure with me through my affective and critical experiences with a few texts I encountered during my first year and a half of my Ph.D. program: ***** I am sitting in the theatre in the last showing of the night for Star Wars: Rogue One. I have just come from
“What more does the Traveler want of Me?”: Destiny 2, Ghaul, and the Sci-Fi Villain
[7-10 minute read] As its title screen fades to black, Destiny 2 (2017) sets itself up to follow the familiar science fiction trope of moral disambiguation. After destroying the last vestiges of human society on the planet, the new villain of the series – the not so subtly named Ghaul – has just thrown your
Seduction and Devastation
[10 minute read] In my final foray into Hannibal, I will examine the final season and its tragedy and seduction. After the violence of “Mizumono,” the season two finale, Hannibal escapes to Italy, his pursuers scattered and recovering from their injuries. Driven by vivid hallucinations and a grisly murder, Will sails the Atlantic to seek
“Remarkable Boy…I Think I’ll Eat Your Heart.”
[7-10 minute read] The exploration of queer representation in Hannibal allows for a greater understanding of the conventions of gender and sexuality within the thriller genre. Highly-fictionalized thrillers such as Hannibal thrive on extreme relationships, but also rely heavily on non-traditional erotic relationships to further depict the extremes of personalities in its central characters. The