Conclusions #2: #MeToo Poetry

C
William Blake's "God as an Architect": a painting of a naked old man crouching in between thunderheads, backlit by the sun (or is God the sun?), as he reaches down toward the bottom of the image, his left fingers separated into a right angle, golden beams shooting from each angle leg.
#williamblake #godasarchitect #1794 #bycandlelight #god #theancientdays #england

Miss last week’s post? Catch up at this link.

Fascist Conclusions

At the beginning of the war
there were waves that dipped
below the surface of my body
and trapped panic in scores
of gilt fish. The illuminated

     manuscript of my body
     was rapt to those watching
     in delayed fascination, hoping
     for more of this sensational
     distraction. We were, all of

          us, distracted from seeing how
          money could transpose desire
          into reality. My desire is not
          worth more than the seaweed
          that obscures the dubious

               features of something without
               a face. It watches me from
               eyes without a face. This
               might have been a 1960’s
               French horror film, though

                    I am not sure if the end will
                    grip us silent in our desire
                    for the hopeful dovetail to
                    ascend. A dove is the total
                    of all its features and this

                         face does little more than
                         impress its glint onto bodies,
                         looking for more bodies,
                         sanctioning bodies who desire
                         delivery. At the beginning of

                              the war I doubted whether
                              there were still such fatal
                              creatures determined to rise,
                              waiting to devise the future,
                              the surface already concluded.

An acrylic on glass iteration of Blake's "God as an Architect." God's hand is a fist in this version.
#rayosborn #williamblake #godasarchitect #iconoclasm #acryliconglass #ekphrasis #thefall

Censored Conclusions

The censorship you speak
to my body divides me
with doubt. You devise
living renditions of human
forms from incarceration.

     You quiet my humming
     mantras of coded respect
     for those who are quieted.
     You say you know what
     is best for me, body, soul

          and mind all divided. I am
          thinking of you now, how you
          are wrapped up with fear
          for the harmonics of kinship,
          its multi-vocal drawl. Fearless.

               Before the war there was
               solace hiding a tumult of
               discontent and malintent.
               Now that my enemy speaks
               loudly without restraint

                    I know they have made
                    their closed conclusions
                    about me, are already so
                    sickly to the idea of my
                    existence. I will it louder.

A darker, slightly cropped version of the acrylic-on-glass iteration of "God as an Architect" above.
#rayosborn #williamblake #godasarchitect #portlandOR #2013 #godisdead

Politic Stimuli

Its system is to remain intact
and consistent within itself.
Then there must be our rule
& order, our order. It makes
itself and continues itself. It

     wills itself into another system.
     It wades you in modes, chains,
     logic, and coherency that bind
     in money, reasonable enterprise.
     But the cogs and wheels are full

          of rust and soon found patinated
          from lack of treaty with rueful sky
          whose eventual abrasion leaks.
          Your progression of human use,
          man-made lust of keeping things

               the same, unchanged, and sessile
               inspires my admonition, chaotic lick.
               You say paradise for all is in our toil,
               is for the good of the system’s stride.
               The system runs on human energy.

                    In all honesty, and beyond doubt,
                    the stimuli for this system are
                    wholly and utterly motivated by
                    the dictums of the system itself.
                    The body being just metaphor.

A detail of the God-figure from the above acrylic-on-glass "God as an Architect", backlit and glowing darkly but the contrast between light and dark is sharp.
#rayosborn #iconoclast #williamblake #godasarchitect #acryliconglass #portlandOR

Threnody

This is a threnody for
myself. I am not to be
reborn and have yet
to be buried, though
am, still alive. It is

     not an original thought
     nor is it one I wish
     for you to feel sympathy.
     This is my only address
     to the reader, and as

          such let us make it
          a short one. There are
          visitations and proofs
          of a beyond in the adret
          minds of those wrapped

              in the insulating dogma
               of power displayed.
               Let us think. If the
               world is indeed perfect,
               as the Lord created it,

                   with all the creatures
                    made from holy plans,
                    then why not live as
                    though this life is worth
                    living? Nietzschean

                        formalism aside, let us
                         revel in the good work
                         of religion as a system
                         for peace, though with
                         reserve. The threnody

                             states that I will be
                              remembered. Let this
                              be no threnody then.
                              It is the system’s weak
                              attempt at my destruction.

An orange-traced, green-tinged detail of the God-figure in the acrylic-on-glass "God as an Architect"
#rayosborn #williamblake #godasarchitect #portlandOR #2013 #godisstilldead

Fear

It tussles in coils of vines around
throats in wild vertigo. It warns
of vivisections, making waning bits
of human soul now left. The system
bites through itself, ouroboric

    and ready to repeal good faith
     into paranoia as a last resort.
     The fear has gripped me now
     in growth like dueled aeonium
     whose devilish tendrils rise

         in infernal orations of the sun
          -chirping carnal black canaries
          with cherried chest outspread-
          Maybe not ouroboric, no, not
          held so close to the infinite yet

              is it me to undress these weighty
               systems, all taxidermy of living
               technology? It must be, I do
               my work out of fear that nothing
               will arrive from lament of history.

                   And you do your work in fear
                    of the unknown, plastered in it,
                    the fear of your own subtropical
                    climate, that it might one day
                    draw the histrionics of the jungle.

A closer detail of the God-figure from the acrylic-on-glass "God as an Architect." The orange tracing is vivid but only somewhat red; the contrast between light and dark is soft; God's face is a sickly gold.
#rayosborn #williamblake #godasarchitect #portlandOR #metoo

Presidential Conclusions

No death for you yet. You cannot
have you, and I will not let you.
I will take from you the dawning
bloom, call it my blood, a lasting
dying, yet, yet never alive. You,

    your red bloom, I put it inside me.
     You, deep in my sauce, maudlin,
     total bill of madness made to rile
     into the violence that is brick, red,
     bricked. You secretly put the rusty

         bloom of inevitable death in me,
          permanent, brick, unnatural and
          red, blood red. My eyes bleed
          your blood. The bloom is perfect
          and blends, bled, blooming like

              Dr. Jekyll’s crepuscular sore, raw.
               I steal from him and from you,
               Mr. Hyde, unable to escape self
               or beauty of self, if only, if only.
               If only bravery of self could carve

                   the ribald color from you. But
                    that is not bravery. You exalt
                    in a register fit to carry history
                    but the jungle in me is riling,
                    is no Tropics. I will burn you

                        until remains are only the burnt
                         nothing, if only. Me to burn more.

Ray Osborn [a Creative Writing MFA at Syracuse University] is sick of writing these autobiographies of the soul stuck in hell, for lack of a better word. In general, Ray is interested in not talking about one’s self and, if you must know, Ray’s work focuses on ekphrasis, elegy, and visibility.

About the author

Ray Osborn
By Ray Osborn

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