A Painfully Honest Portrayal of Beauty
Tracey Emin, Like A Cloud of Blood, 2022, acrylic on canvas, 59 7/8 x 71 5/8 in. (152 x 182cm) The difficulty in comprehending Tracey Emin’s Like A Cloud of Blood (2022) is the paradox of witnessing a disappearing figure coming into being. In Emin’s painting, an incomplete and empty body lies isolated in curled
Excess Emotion and Queer Subjectivity in Pericles
Pericles (1608), one of Shakespeare’s and co-author George Wilkins’s romances, dramatizes the tumultuous life of Pericles, the Prince of Tyre. Over five acts, it stages his acquisition of love, its tragic loss, and its ultimate rediscovery. Strikingly, the play opens with incest—Antiochus, the king of Antioch, instructs Pericles to solve a riddle whose answer reveals
“Unbury Your Gays”: Queer Phantoms in The Picture of Dorian Gray and Gideon the Ninth
At its root, the “Bury Your Gays” trope is simple: in a work with an overt or implied same-sex couple, by the end of the story at least one of the lovers “must die or otherwise be destroyed” (Hulan 17). Today, it is often used in film for shock value, as seen with Tara’s death
A Patriotic Reflection of a Broken Image
The nature of quilting implies a coming together of disparate elements to create a pleasing and cohesive whole. Rachel Clark’s quilt, These Colors Should Run, utilizes these formal qualities to reimagine the American flag, conveying an unsettling and paradoxical image of a nation in disrepair. Clarke is a Professor at Syracuse University’s School of Information
Under the Shadow: Islamic Horror and Shadows of the Djinn
In the last 25 years, the American media landscape has been flooded by stories of war and conflict in the Middle East. In the perspective of many American spectators, the Middle East is a chaotic and even frightening place full of terrorists and extremism. While such terrors exist in the Middle East, attending to the
Attempting to Wrangle Video Game Genre Adaptation
When used in relation to video games, the term “genre” primarily functions as a descriptor of the types of interactive play present in the text—e.g. role-playing, shooting, driving, etc. Games’ systems of interaction often become the main identifiers by which they get categorized. While a plethora of genres defined by narrative and theme are represented
Interracial Couples as Outcasts in Loving
In the 2016 movie Loving, the interracial couple of Richard Loving (Joel Edgerton) and Mildred Loving (Ruth Negga) experience discrimination under segregation in 1950s and 1960s Virginia. Outside forces (i.e., people in the community and institutions) continuously try to separate the couple, making it difficult for them to be together. These outside forces use a
Revelatory Liminality in the Metamorphoses’ Myrrha Episode
[Trigger warning: this post discusses a poetic episode featuring incest.] In Book X of the Metaphorphoses, Ovid tells the story of Myrrha and her incestuous longing for her father, Cinyras. In this section, readers follow along as Myrrha vacillates between the rightness and wrongness of her desire, which she ultimately consummates . She does so
Neoliberal Vantages in Cyberpunk Video Games
Particularly within visual media, genre may be thought of as a way of looking, a kind of thematic and ideological point of view (POV) that distills the innumerable complexities of reality into narrative and aesthetic patterns that work toward imparting rhetorical stances to audiences. For example, the generic POV of the Western privileges guns and
Teaching Race with Claudia Rankine’s Citizen: An American Lyric
In the same year that Michael Brown and Eric Garner’s murders at the hands of the police sparked national protest, Claudia Rankine published her book Citizen: An American Lyric. Originally published in 2014, Citizen consists of poems, monologues, lyrical essays, artwork, and photographs, all of which explore microaggressions and their broader relationship to systemic racism.