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Utopia and Mapping the Imaginary

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In something of a loose association with my previous post, I’ll be writing and thinking this week about another interesting intersection between images and text. In particular, I’ll be exploring both old and new attempts to map Thomas More’s seminal text Utopia. Written in 1516, More’s Utopia is a text which provides the first major instance of the word “utopia” as we know it today. Derived from...

MAZE: Playing Between Image and Text

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Front cover of MAZE with an advertisement for the original contest: a circular red sticker with the text "WIN $10,000 SEE INSIDE ..."

Solve the World’s Most Challenging Puzzle reads the subtitle of Christopher Manson’s 1985 puzzle book MAZE. Manson’s book was originally advertised as a kind of puzzle “contest” in which the first reader to find their way from room 1 to room 45 and back again in 16 steps (or less, if possible) would win $10,000 dollars. The puzzle was solved in 1987, but the book remains an interesting early...

Hell’s Black Intelligencers: Shakespeare and Our Current Fears of Surveillance

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A graphic of a Mercator map superimposed with tablet and smartphone screens, with corresponding views of the oceans and continents beneath them.

In July 2018, the United States government formally pressed charges against Maria Valeryevna Butina for operating as an unregistered foreign agent operating in the service of the Russian state, a term that the news media quickly collapsed into the more provocative and instantly recognizable designation of “Russian spy.” Coupled with the revelation that the Russian government had covertly exerted...

“Millions of false eyes”: Responding to Surveillance

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An image of an early modern printed cipher wheel. There are letters printed on the spokes, illustrations of flora and putti between the spokes, and a rotatable archer's bow with letters attached to the center of the wheel

Surveillance culture doesn’t crop up overnight. It is the result of social and political processes, which humans creatively adapt to and undermine. Last week, I looked at the ways in which early modern audiences and playwrights reacted to the increasing sense that their government was using spies to monitor their actions in and around the theater. Their plays explored how the threat of spying...

They Come Not Single Spies: What Surveillance Meant to Shakespeare’s Audiences

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An early-modern print illustration, of Queen Elizabeth in regalia, flanked to either side by Lord Burleigh holding a staff and a crest and Sir Francis Walsingham holding a scroll

After the St. Bartholomew’s Day Massacre in 1572,[1] the English government, particularly Principle Secretary Francis Walsingham (often credited as the father of English espionage), greatly increased the scope of their intelligence networks. This resulted in the foiling of a number of plots against the life of Queen Elizabeth, most notably the Babington Plot, which led to the execution of Mary...

Cloaked in Eyes and Ears: Reading Surveillance Culture Through the Early Modern Stage

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An early-modern print image. A figure cloaked in fabric covered with eyes covers their face with an elbow, fabric breezing out behind them. They wear a hat and hold out a lamp in the direction of their travel.

In our contemporary social moment, the American public has come to possess a fairly blasé attitude towards the degree to which governments and corporations collect our data and monitor our actions. It has become almost an unfunny joke to acknowledge that, yes, Amazon and Google do monitor our internet habits and listen in upon our phone conversations in order to better sell us products. Popular...

Lakitu and Leaning In: What a Video Game Can Teach Us about Introduction

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A still from a video game. Pink floral stationary is superimposed over the face of a princess wearing pink, with long yellow hair and a crown. The text on the stationery reads: "Dear Mario: Please come to the castle. I’ve baked a cake for you. Yours truly-- Princess Toadstool Peach"

I am deciding to end this series on interesting introductions with video games for a couple of reasons, the most pressing of which is that I wanted an excuse to write about Super Mario 64. Released for the Nintendo 64 in 1996, Super Mario 64 is not the first game I played, nor is it my favorite. But when I look back on some of my favorite opening moments in video games — openings that are...

Captivating “Us”: What a Film Can Teach Us About Introductions

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A still from Us: a little girl stands in front of a mirror in a very dark room; only her collar and pigtail ties glow slightly

I first decided to watch Jordan Peele’s Us on a relatively bright morning … on my phone … while I was on an airplane. This is far from the best context to get a good impression of anything, much less a densely loaded horror film like Us. The fact that these opening moments stuck with me despite all of this makes it worth examining for this series on interesting introductions. Here’s a link to the...

Of Feet and Hobbit-Holes: Lessons Learned from a Literary Intro

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The back of a younger Bilbo staring out from his hobbit-hole into the great beyond, packed and ready to travel.

Literature is full of great beginnings. There are plenty to choose from — Austen’s “truth universally acknowledged,” Dickens’s contradicting description of the best (and worst) of times, Orwell’s clocks’ striking thirteen, etc. — each with their own merits. But I want to start this series on effective introductions with a line that I will always hold dear — the opening paragraph to J.R.R...

Begin (Again): The Art of Openings

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A photoshopped photo of a desert road leading into a blue sky; the word "START" is superimposed upon the road at the foreground

How do you feel about epigraphs? My partner once said she hated them, at least in the context of academic writing. Why not just get straight to what you want to say? Many readers find them pretty easy to skip over (as I’m sure at least a couple of you did when approaching this blog post) and if used incorrectly they can easily become unnecessary filler, pretentious excess, or both...

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