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Ruminations

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I’m driving a two-door 2001 gold grand am. The air conditioning no longer works after the transmission broke, wooden clothes pins and duct tape secure the windows. It must be August because I’m heading towards the city public library to flip through stacks of CD cases for a Canadian indie pop album. Is a locality with less than 10,000 residents a city? A town, maybe. We had spent the summer in...

“Report Me and My Cause Aright:” Hamlet and the Political Power of Dramatic Narrative

During the final scene of Hamlet, the titular prince makes use of his dying breaths to command two things of Horatio.  First, he commands Horatio to affirm that Fortinbras “has his dying voice” (5.2.393) thus giving him legitimacy to take the throne of Denmark.  Second, he orders Horatio to tell Fortinbras the story of Hamlet’s actions that have led up to this point in the play.  Horatio obliges...

Machiavelli’s “Small Volume”: The Legacy of the Stage Machiavel

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“Bearing in mind all the matters previously discussed, I ask myself whether the present time is appropriate for welcoming a new ruler in Italy, and whether there is matter that provides an opportunity for a few-seeing and able man to mold it into a form that will bring honour to him and its inhabitants.” -Machiavelli As we’ve been considering the seemingly timeless quality of the figure of the...

Privileged Positions: House of Cards and Frank Underwood’s Machiavellian Monologues

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“Since a ruler, then, must know how to act like a beast, he should imitate both the fox and the lion, for the lion is liable to be trapped, whereas the fox cannot ward off wolves…[b]ut foxiness should be well concealed: one must be a great feigner and dissembler.  And men are so naïve…that a skillful deceiver always finds plenty of people who will let themselves be deceived.” -Machiavelli...

“You win or You Die”: Game of Thrones and Machiavellian Amorality

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“However, how men live is so different from how they should live that a ruler who does not do what is generally done, but persists in doing what ought to be done, will undermine his power rather than maintain it.” -Machiavelli Note:  Spoilers for the first four seasons of Game of Thrones and for Richard III One of the major reasons that early modern audiences reacted so negatively to...

Hated, Feared and Loved: Popular Representations of Nicollò Machiavelli

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“A controversy has risen about this: whether it is better to be loved than feared, or vice versa.  My view is that it is desirable to be both loved and feared; but it is difficult to achieve both and, if one of them has to be lacking, it is much safer to be feared than loved.” -Nicollò Machiavelli The word Machiavellian, denoting a duplicitous schemer or an unscrupulous politician entered into...

Part II: Wicked Women and the Negotiation of Female (Dis)empowerment

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“Not only did she dupe me into believing she still loved me, she actually forced me to implicate myself. Wicked, wicked girl. I almost laughed. Good Lord, I hated her, but you had to admire the bitch.” – Nick Dunne Gone Girl, (Flynn 345) [1] The majority of Gone Girl’s masterful storytelling depends on Flynn’s fascinating, journalistic style of characterization and description, a thriller’s...

Part I: Wicked Women, Active Deception, and Narrative Opportunity

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  Recently, my thoughts have been preoccupied with wicked women. As a student of the humanities – namely, English literature, and even more specifically, Victorian literature, in all its verbosity – whose field of study recognizes the pivotal inextricability of words from complex networks of cultural meaning, contemporary and historical connotations, and critical scrutiny, I feel the need to...

Part II: Female Identity, Subjectivity, and Knowing the Self

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“There’s been an Awakening in the Force” – but what kind? Warning: This post includes potentially triggering discussions of nonconsensual physical and mental assault.   Last week’s post opened an exploration into the narrative obfuscation of Rey’s identity, and considered the advantages of such inscrutability, both to the character’s further development in Episodes VIII and IX, and to fans eager...

Part I: Female Identity, Representation, and the Inscrutable Self

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“There’s been an Awakening in the Force” – but what kind? Feeling the franchise fatigue? It’s understandable. Whether through filmic expansions on original texts – Parts 1 & 2, for your viewing pleasure and box office sales – recalling nostalgia for a past childhood – I’m looking at you, Finding Dory (June 2016!) – or in the face of Marvel’s ever-expanding arsenal of white male superhero...

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