Tagvisualculture

Sharing Space: “Proteus” and the Personal

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It seems like academia (or any professional forum, for that matter) encourages us to keep our feelings out of things. I can’t tell you how many times I’ve crossed out passages of student essays this month for being “off topic” or “too praisy,” for bringing in “irrelevant” value judgments on the film they’re writing about. And that’s fine: we’re trying to teach them the conventions of textual...

Appreciating Space: “Minecraft” and Empowerment

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For the last two summers, I’ve worked as an instructor for the University of Alaska Anchorage’s Kid College program, which is basically a mix between a summer camp and course series about technology for kids aged 9-14. Most of the classes I taught were about game design, and the most popular courses by far were the ones about Minecraft. For those of you who are unfamiliar with the game, it might...

Imagining Space: America the Virtual

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I went on a run today—something I mean to do more often than I actually do, it seems—and my feet took me down a familiar route to Oakwood Cemetery. On my way down the looping paths, I saw a crumpled piece of red and white fabric on the side of the trail. It was a tiny, tattered American flag, the type mourners like to put by the gravestones of loved ones who have served. I stopped and picked it...

Privileged Positions: House of Cards and Frank Underwood’s Machiavellian Monologues

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“Since a ruler, then, must know how to act like a beast, he should imitate both the fox and the lion, for the lion is liable to be trapped, whereas the fox cannot ward off wolves…[b]ut foxiness should be well concealed: one must be a great feigner and dissembler.  And men are so naïve…that a skillful deceiver always finds plenty of people who will let themselves be deceived.” -Machiavelli...

Part II: Female Identity, Subjectivity, and Knowing the Self

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“There’s been an Awakening in the Force” – but what kind? Warning: This post includes potentially triggering discussions of nonconsensual physical and mental assault.   Last week’s post opened an exploration into the narrative obfuscation of Rey’s identity, and considered the advantages of such inscrutability, both to the character’s further development in Episodes VIII and IX, and to fans eager...

Part I: Female Identity, Representation, and the Inscrutable Self

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“There’s been an Awakening in the Force” – but what kind? Feeling the franchise fatigue? It’s understandable. Whether through filmic expansions on original texts – Parts 1 & 2, for your viewing pleasure and box office sales – recalling nostalgia for a past childhood – I’m looking at you, Finding Dory (June 2016!) – or in the face of Marvel’s ever-expanding arsenal of white male superhero...

Adaptation Nation: Popular U.S. Film Originality 2010-2015

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Walking into a movie theater last week I noticed that nearly all of the films being advertised were for sequels or adaptions of already existing franchises. As I settled down with my popcorn to watch the film I had come to see (itself the 7th episode in a series called Star Wars—you might have heard of it), I tried to remember the last film I saw in theatres that wasn’t based on a pre-existing...

The English Renaissance “Timeline”

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“All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.” – Susan Sontag, On Photography In a post for her blog Brain Pickings, Maria Popova introduces the above quotation by asserting photography as “both...

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