Show, Don’t Tell: Networking and Showing Up
When asked to write a series of posts on how my PhD work prepared me for a more diverse career path, I knew that I wanted to be helpful while still acknowledging the truth behind finding any sort of employment: so much of it is about luck, not skill and worth. Yes, I have a lot of skills that have made me a good fit for my current job as a tutor manager. They are not necessarily why I was hired, though. I got the job because I was in the right place at the right time. Then, I had the aptitude that allowed me to do well in the role once there. So, to that end, I’m going to discuss two related but ultimately separate things in this week’s post: 1) how to help bolster your luck on the job market and 2) which skills helped me thrive once I had a foot in the door.
On Alt-Ac Careers and Autoimmune Conditions
This month, Broadly Textual is proud to welcome back two outstanding graduates from the English Graduate program at Syracuse University (and previous contributors to the blog), Dr. Staci Stutsman and Dr. Melissa Welshans. Each week in March, our returning contributors will discuss their experiences within their PhD program, the skills they gained during their studies,
“Remarkable Boy … I Think I’ll Eat Your Heart”: Revisiting Hannibal
This week, we return to the archive for a post by Molly Cavanaugh, where she discusses the non-traditional erotics of the relationship between Hannibal Lecter and Will Graham. In the same vein as Mark’s posts, which have considered representations of gay relationships in film and television, Molly’s post contemplates the homoerotic tension created between predator
No True Coming Out: Queer Life in “Please Like Me”
Unlike My Beautiful Launderette, whose narrative refused our identification with Omar and Johnny’s romantic life, the 2013 Australian TV show Please Like Me is structured almost solely around relationships. Queer love and intimacy are a complete spectacle, where most of the narrative (and much of the comedy) comes from Josh’s (Josh Thomas) sometimes awkward —and
Dirty Laundry in “My Beautiful Launderette”
What does queer media beyond mere representation look like? This week, Mark Muster begins to answer the question that he posed in last week’s post. In a 1986 New York Times interview regarding My Beautiful Launderette (1985), director Stephen Frears notes, “It’s a completely ironic film, isn’t it? We wanted people to have a wonderful
What is Wrong with “Gay TV”?
Recently, there has been an uptick in the amount of “gay-centric” media created by the mainstream film and television industry. Movies like Call Me by Your Name (2017), Moonlight (2016), Carol (2015), Bohemian Rhapsody (2018), etc. mark a notable shift in LGBT narratives to being not only more mainstream—more desired—but actively produced for recognition among
“Fitting In”: Taking Up Space in the 116th US Congress
“Next time someone tells Bronx girls to take off their hoops, they can just say they’re dressing like a Congresswoman.” Rep. Alexandria Ocasio-Cortez (D-N.Y.) Every year, I make a feminist New Year’s resolution: apologize less; shut down more mansplaining; take up more space. Sometimes I mean this last one literally: I’ve learned to square my shoulders
Revisiting Unruly Instruction
This week, we dive into Broadly Textual’s archive, from its days as Metathesis, to revisit a piece of important work by now-Dr. Melissa Welshans. Her post, written in 2014 during her time in the English PhD program, addresses the same issues discussed by Natalie El-Eid in her first contribution this month, and reflected in the
Dysphoria
“The aim of this month’s posts is to interrogate our need to reconstruct our bodies, minds, and identities to fit the cultural standards of who and what we should be.” — Natalie El-Eid, “New Year, New You … True You?,” January 8, 2019 Write something, Write something, Write anything,Write About bodies, about my body, about
New Year, New You … True You?: Reconstructing Identities and Cultural Standards
Welcome to 2019, everyone. With the ushering in of a new year comes the seemingly incessant need for a new “resolution.” But is it really a need? Or are we dealing, rather, with a set of societal norms and the pressure we feel to conform to them? It’s a pressure that’s hard to escape. We’re