TagMarginalized Sexualities

“Remarkable Boy … I Think I’ll Eat Your Heart”: Revisiting Hannibal

A film still. A middle-aged white man in a black overcoat embraces by the neck a younger, scruffy-bearded white man wearing a tweed blazer. They appear to be standing in a backlit hallway.

This week, we return to the archive for a post by Molly Cavanaugh, where she discusses the non-traditional erotics of the relationship between Hannibal Lecter and Will Graham. In the same vein as Mark’s posts, which have considered representations of gay relationships in film and television, Molly’s post contemplates the homoerotic tension created between predator and investigator within the...

No True Coming Out: Queer Life in “Please Like Me”

N
A promo photo of a young man with ginger hair, wearing a blue-checked button-up and a khaki blazer with an orange carnation in the buttonhole. Behind him, in front of a salmon pink backdrop, stand in a row several people of mixed ages and races, presumably his family, friends, and colleagues. Yellow text, "PLEASE LIKE ME," overs beside his head.

Unlike My Beautiful Launderette, whose narrative refused our identification with Omar and Johnny’s romantic life, the 2013 Australian TV show Please Like Me is structured almost solely around relationships. Queer love and intimacy are a complete spectacle, where most of the narrative (and much of the comedy) comes from Josh’s (Josh Thomas) sometimes awkward —and other times heartedly tepid —...

Dirty Laundry in “My Beautiful Launderette”

D
A still from a film: the blue neon sign "POWDERS" on a brick building dominates the image. On man climbs a ladder up to it, and another man is just visible at the bottom of the image.

What does queer media beyond mere representation look like? This week, Mark Muster begins to answer the question that he posed in last week’s post. In a 1986 New York Times interview regarding My Beautiful Launderette (1985), director Stephen Frears notes, “It’s a completely ironic film, isn’t it? We wanted people to have a wonderful time, but to make the film provocative, turning...

What is Wrong with “Gay TV”?

W
6 stills of same-sex couples in scenes of intimacy (love or sympathy) from film and television, arranged in a 2x3 grid and overlaid with the rainbow colors of the six-color gay pride flag

Recently, there has been an uptick in the amount of “gay-centric” media created by the mainstream film and television industry. Movies like Call Me by Your Name (2017), Moonlight (2016), Carol (2015), Bohemian Rhapsody (2018), etc. mark a notable shift in LGBT narratives to being not only more mainstream—more desired—but actively produced for recognition among the Hollywood award circuit. In the...

“Blindspots” and Bright Spots

I’m very excited to see Disney’s new Live-Action Beauty and the Beast, and not just because it was my favorite animated Disney movie growing up. Allow me to explain: ***             The girl who takes my fast-food order has conspicuous miniature band-aids over her dimples, raised away from the skin by the dermal jewelry they cover. Her nose has a hole with no stud. Her cuticles are stained black...

Facebook and Uncanny Identity

F

I’m sitting in a meeting at the LGBT Resource Center. It’s Monday night, a few weeks past now. They have a large comfy couch, free pizza, brightly colored artwork on the walls, posters for other events. It’s only six in the evening, but I’m exhausted. Not the I-didn’t-get-enough-sleep-because-coursework kind of tired, but the soul-weary exhaustion that has been my constant companion since...

“Are You Gay?”: Public Space, the Closet, and the Exercise of Privilege

&

For my month of posts for this blog, I want to talk about privilege and the way in which it operates in everyday interactions and spaces. We all hear people talk about privilege–and in particular about how it operates as part of and within systems of oppression–but rarely do we actually think about how it affects and manifests in our everyday lives. I intend these four posts to...

“While the dearest of friends lays in the cold ground”: Epidemic Disease, Incarceration and Patriarchal Control; The Continuing Story of Josiah Spaulding

After Josiah Spaulding, Jr. was chained to the floor in his room in about 1812 by his minister father, he would never again live a life unfettered by his father’s religious and patriarchal control—a control which extended over the Spaulding family long after the Reverend’s death in 1823. Oral history of Buckland tells the tale of Josiah’s early escape attempt: he rubbed his chains against the...

Perils of Click-Bait Science Communication, or There’s Many a Slip ‘twixt the Cup and the Lip

P

Science communication plays an integral role in bridging the gap between academia and the public. Science writers have the tricky job of distilling complex ideas into digestible pieces, and explaining highly-specialized experiments in a way the public might find interesting. Research highlighted in the media can become part of a larger cultural conversation and have a more direct impact on...

Get your Hands off my Boobs: Mansplaining and (Gay) Male Privilege

G

In my previous blog posts, I sought to demonstrate the way in which the critical thinking skills I have developed from the Humanities aid me in understanding the world in which I live. From my students’ teaching evaluations to the trash I see on the street, our daily experiences are open to interpretation through critical reflection. My final post offers a similar reflection on a personal...

Subscribe

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 4 other subscribers

Recent Posts

Social Media