Tagqueer

“Unbury Your Gays”: Queer Phantoms in The Picture of Dorian Gray and Gideon the Ninth

At its root, the “Bury Your Gays” trope is simple: in a work with an overt or implied same-sex couple, by the end of the story at least one of the lovers “must die or otherwise be destroyed” (Hulan 17). Today, it is often used in film for shock value, as seen with Tara’s death on Buffy the Vampire Slayer in 2002 and Lexa’s death on The 100 in 2016, which drew mainstream attention to and backlash...

Spatial Representations

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  [5-7 minute read] When going on vacation these days, we take our cameras (or phones) with us to commemorate the places we visited, and the adventures that we embarked on. Contemporary phones and photos offer a way to share our experiences with friends and loved ones in a manner that allows them to imagine they were on the trip with us. Whether it is curating a collection on Flickr or...

Valuing Difference: An Ace on Food, Friendship, and Fluffy Companionship

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[5 minute read] (CW: pet death)   For a year, two of my colleagues shared an office across from mine. They were best friends, and they stocked their space with craft beer and a reclaimed yellow armchair, squishy and velveteen, and spent their office hours in conversation together. Maybe it was because my own best friend lived abroad and my office lunches were pretty lonely, but this scene...

Normalizing Difference: Redefining Asexuality

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[5 minute read] The problem with asexuality, as I’ve discussed before, is that it is hard to talk about on its own terms — even in a grammatical sense. For example: If you’re homosexual, you can say, “I’m sexually attracted to people of my same gender.” If you’re pansexual, you can say, “I’m sexually attracted to all genders.” These are positive constructions: I do experience attraction to x. But...

Abnormalizing Difference: Sexual Normativity in Asexual Sherlock Fanfic

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[7 minute read] (CW: discussion of sexual violence in fanfic.) Can I tell you a secret? I knew the titular character of BBC’s Sherlock had become one of the mascots of the ace community before I even watched the show — and I defended his reputation as such before I watched it, too, as evidenced in a text conversation between myself and my best friend: Best Friend: Omg, you have to watch Sherlock...

Misrepresenting Difference: Objectifying Asexuality in Journalism

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[10 minute read] The media we consume shapes our implicit biases. It is one factor among many, but I saw it at work among my Fox News-watching relatives during the 2016 election. I saw it at work among rosary-praying priests putting my femininity on a pedestal. I saw it at work after 9/11, when I started getting spooked by Arab-looking passengers at airports — even though my family is Arab...

Scholarship and Affect: Merging Critical and Fan Identities

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[7-10 minute read] Take an adventure with me through my affective and critical experiences with a few texts I encountered during my first year and a half of my Ph.D. program: ***** I am sitting in the theatre in the last showing of the night for Star Wars: Rogue One. I have just come from my house where I have been drinking a bit of wine with friends. I am happily relaxed after a rather arduous...

Seduction and Devastation

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[10 minute read] In my final foray into Hannibal, I will examine the final season and its tragedy and seduction. After the violence of “Mizumono,” the season two finale, Hannibal escapes to Italy, his pursuers scattered and recovering from their injuries. Driven by vivid hallucinations and a grisly murder, Will sails the Atlantic to seek Hannibal out. Will’s obsession with Hannibal lures him into...

“Remarkable Boy…I Think I’ll Eat Your Heart.”

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[7-10 minute read] The exploration of queer representation in Hannibal allows for a greater understanding of the conventions of gender and sexuality within the thriller genre. Highly-fictionalized thrillers such as Hannibal thrive on extreme relationships, but also rely heavily on non-traditional erotic relationships to further depict the extremes of personalities in its central characters. The...

The Erotics of Evil

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Among the harmful tropes of Hollywood, the figure of the Sissy Villain is one tainting LGBT representation in film and television. Despite the improvements of LGBT rights outside of film, the image of men in women’s clothing is one that pervades the genre of horror in particular. Such figures at Buffalo Bill, Cillian Murphy’s John/Emma of Peacock, or James McAvoy’s multiple-identity’d character...

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