TagPolitics

Will No One Rid Me of This Turbulent Media?

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A colored engraving of the murder of Thomas Becket.

In 1170, Henry II, King of England, is alleged to have complained to a group of knights within his household, “will no one rid me of this turbulent priest.” Speaking of the Archbishop of Canterbury, Thomas Beckett, this statement was alleged to have been interpreted as an order, and a group of knights travelled to Canterbury in the ensuing days, during which Beckett was killed. While the specific...

Conclusions #2: #MeToo Poetry

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William Blake's "God as an Architect": a painting of a naked old man crouching in between thunderheads, backlit by the sun(or is God the sun?), as he reaches down toward the bottom of the image with a golden right angle in his hand

#williamblake #godasarchitect #1794 #bycandlelight #god #theancientdays #england Miss last week’s post? Catch up at this link. Fascist Conclusions At the beginning of the war there were waves that dipped below the surface of my body and trapped panic in scores of gilt fish. The illuminated      manuscript of my body      was rapt to those watching      in delayed fascination, hoping     for...

Touching an “Authentic” Swastika

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[7 minute read] CW: Nazism, Neo-Nazism, Swastikas I’m currently writing this blog post from a hotel room in Durham, N.C. I’m here over Spring Break to do some archival research at the Rubenstein Rare Book and Manuscript Library. The Abraham Joshua Heschel Papers live here, and it is an overwhelming and expansive collection. The collection guide here shows a preview of the breadth and depth of the...

Gainsford’s “Glorious” England

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[5-7 minute read] A quick look at popular TV programming might lead a person to think that Americans are obsessed with Britain. We watch sci-fi shows like Dr. Who? to feed our imaginations about the possibilities of alien life and technology, as well as shows like The Great British Bake Off that combine culinary delights with intriguing locales. Then there are the historical dramas that have...

‘Build That Wall!’: Studies in the 21st-Century Plague Zombie

[10 minute read] In this month’s posts for Metathesis, I have been looking at how the metaphorical deployment of epidemic disease operates, and how we might understand the metaphorical function of plague zombies in contemporary texts. Why is it that the figure of the plague zombie features so prominently in the twenty-first-century imagination? If the plague zombie is a vehicle for addressing...

“They may pass for excellent men:” Audience and Interpretative Labor in A Midsummer Night’s Dream

[5-7 minute read] Last week, I discussed Hamlet’s metatheatrical play within a play, The Murder of Gonzago, in an attempt to discuss what Hamlet’s attitudes towards acting could tell us about the relationship between theater and audience. This week, I would like to shift gears and discuss a different moment of metatheatricality in Shakespeare: the performance of The Most Lamentable Tragedy of...

“Dumbshows and Noise:” Hamlet and The Problem of Audience

[5-7 minute read] During Act 3 of Hamlet, while preparing the travelling players for the evening’s performance, Hamlet provides the actor’s company with a lengthy speech concerning the proper methods of acting he would like them to employ. During the speech, he makes a note on clowns, saying “and let those that play/ your clowns speak no more than is set down for them;/for there be of them that...

“I am Richard II, Know Ye Not That”: Drama and Political Anxiety in Shakespeare’s London

[5 minute read] In last week’s post, I talked about the public reaction to a 2017 performance of a 1599 play featuring the execution of a Roman Consul who had been made-over to look like a contemporary politician. This week, I will be looking at the performance of a 1597 play that took place in 1601, similarly featuring the execution of a monarch perceived to look like a contemporary politician...

“I come to bury Caesar, not to praise him:” Shakespeare and the Politics of Interpretation

[5-7 minute read] During my last month writing for Metathesis, I talked about the contemporary desire to find political meaning in Shakespeare’s plays. Then in June, Shakespeare in the Park staged a performance of Julius Caesar in which the actor playing Caesar consciously invoked the image of President Trump, mimicking his vocal affectation and his mannerisms. This performance was met with...

Facebook and Uncanny Identity

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I’m sitting in a meeting at the LGBT Resource Center. It’s Monday night, a few weeks past now. They have a large comfy couch, free pizza, brightly colored artwork on the walls, posters for other events. It’s only six in the evening, but I’m exhausted. Not the I-didn’t-get-enough-sleep-because-coursework kind of tired, but the soul-weary exhaustion that has been my constant companion since...

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